Wednesday, April 18, 2012

High Seas Parable

The centenary of RMS Titanic’s sinking has come and gone, replete with the obligatory glut of TV documentaries and news specials.  James Cameron has released a new 3-D version of his 1997 film.  And, predictably, there have been essays and articles published in numerous periodicals both high- and low-brow commemorating the milestone.

Why does Titanic hold our fascination so many generations later?  There are two main reasons, I think.  The first is that it underscores the hubris of technology.  The ship was heavily publicized at the time as being “practically unsinkable.”  Then as now, people trusted expert judgment (and advertising claims).  Then as now, people were horrified when the occasional technical failure resulted in a large body count.  Today, we are as willing as ever to roll the dice on any number of potentially risky technologies in our daily lives, whether it’s driving, air travel, or using our cell phones, just to name a few examples.  We accept and live with the everyday possibility of what Charles Perrow called “normal accidents” because of the considerable net benefits to our overall quality of life.  Undoubtedly, Titanic’s passengers made the same cost-benefit assessment each of us makes when we, say, buy a plane ticket.  Sure, there’s always the possibility of a crash, but what are the odds?   We trust, as they trusted, that we will be conveyed safely to our destination.  For them, their dice roll came up snake eyes and we can only think, “There but for the grace of God…” 

The other, probably more significant reason is the sheer human drama of the disaster.  It makes us ask ourselves how we would have behaved under the circumstances.  Titanic’s passenger list represented a cross-section of society.  Rich and poor lived parallel existences in a relatively small space.  Even in extremis the ship’s classes endured separately (and unequally).  First and second class passengers, particularly women and children, survived at higher rates than their fellow travelers in steerage.  Clearly since the ship’s lifeboats didn’t have the capacity to hold the full complement of passengers and crew, not everyone had an equal chance for survival.  Had Captain Smith’s “women and children first” order been carried out faithfully, however, the steerage survival rate should have been higher than it was.  Theories as to why it wasn’t range from the ship’s officers’ arbitrary decisions as to who got into the boats and who didn’t to the physical barriers that confined steerage passengers to certain areas of the ship.

In any case, we tend to remember the deaths of the first class passengers and the legends that have grown around them.  One distinction then that we would surely not see now is the manner in which the wealthy, society’s imputed leaders, conducted themselves in the face of death: Isador Strauss and his wife…John Jacob Astor…Benjamin Guggenheim and his manservant returning to their stateroom to change into evening dress so they could die attired as gentlemen.   Each of them behaved in a unselfish manner worthy of comment and emulation.  There were exceptions to be sure; White Star Line president J. Bruce Ismay departed early and spent the rest of his life in disgrace.

The point here is that despite the social Darwinism of the age, your betters were expected to sacrifice in the clutch.  If the Titanic disaster happened in 2012, more likely than not the Koch brothers, Jack Welch, Larry Ellison, Eli Broad, and Rupert Murdoch would be the first to climb into the lifeboats, women and children be damned, and Fox News, Forbes, the Wall Street Journal, and Bloomberg would tell us it was fair and right.  Even plutocrats with more benign reputations—Bill Gates, Warren Buffett, and George Soros come to mind—would  be quick to escape, and without a second thought at that.  (As for the immigrants below decks, they’d probably be considered even more expendable now than they would have been a hundred years ago.) 

One similarity between 1912 and 2012 is the preoccupation with celebrity.  We traditionally ignore the less prominent victims of mass tragedies.  When we do attempt to put a face on the faceless, as we did in response to the national pathos in the wake of 9/11, we do so in a tone deaf manner. We project our desires and aspirations on the famous.  That might be at least one reason why some aspects of the Titanic disaster-as-morality-tale fail to resonate nowadays.  One example comes to mind; Lady Duff-Gordon’s lament to her secretary about a “beautiful nightdress gone” echoes in the cluelessness of today’s 1%.  (Duff-Gordon was one of the foremost couturiers of her time, so perhaps she can be forgiven the insensitive remark.)  

Another, related facet of the tragedy is that it may well be one of the first manifestations of the “global village.”  Titanic was at no point seen as an isolated event, but as a story that drew the masses together in mass mourning.  The Titanic narrative was a postmodern phenomenon from the start, the reification of an object à la Baudrillard.  Its symbolic value transcended the literal from the moment the first distress calls went out; Titanic as synonym for all shipwrecks accords its sign value.  To borrow and twist a cliché associated with Moby Dick, a ship isn’t always just a ship.  Powerful myths sometimes subsume their base objects.  The Titanic myth will evolve and transmogrify over time, the story framed such as to suit the sensibilities of the moment.  It will endure as a timeless narrative of the powerful and humble alike, a morality tale on the high seas that nevertheless serves as an all-purpose metaphor for the vicissitudes of modern life.



© 2012 The Unassuming Scholar

No comments:

Post a Comment